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National Ballet of Canada Review: Ratmansky and Côté

Performance: May 30 matinee

Being & Nothingness world premiere

Choreographed by Guillaume Côté, started off as a solo commissioned by Greta Hodgkinson a couple of years ago, before being expanded for this season into a larger work. The piano music by Phillip Glass was quite a perfect fit for the piece.

Greta was as incredible as she was in the first time I saw this. Grappling with loneliness, questioning meaning, and the anxiety of confronting your being – it was all demonstrated here, in here “duet” with the light bulb.

The set was stark, pulled back and up without any backdrops or curtains. The main curtain pulled up several minutes before the start of the show, and showed Greta sitting at the edge of a bed staring out into the house even with the house lights up. Lying on the bed was Felix Paquet, and you wondered whether he was her lover in the piece, but it turns out he was just sharing the space until his vignette. Other set elements included a door, a sink, a window, a chair and a rug, a phone – all would have a dance vignette interacting with these props. Continue reading National Ballet of Canada Review: Ratmansky and Côté